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・ Alfred Kneebone
・ Alfred Knopf
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・ Alfred Koch
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・ Alfred Kohlberg
・ Alfred Kohn
・ Alfred Kordelin
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・ Alfred Korzybski Memorial Lecture
・ Alfred Kossmann
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Alfred Kreymborg
・ Alfred Kronig
・ Alfred Kropp series
・ Alfred Kröner
・ Alfred Kubel
・ Alfred Kubin
・ Alfred Kuchevski
・ Alfred Kuhnert
・ Alfred Kunz
・ Alfred Kunz (composer)
・ Alfred Kurella
・ Alfred Kuzmany
・ Alfred Kwame Agbeshie
・ Alfred Kälin
・ Alfred Käärmann


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Alfred Kreymborg : ウィキペディア英語版
Alfred Kreymborg

Alfred Francis Kreymborg (December 10, 1883 – August 14, 1966) was an American poet, novelist, playwright, literary editor and anthologist.
==Early life and associations==

He was born in New York City to Hermann and Louisa Kreymborg, who ran a small cigar store,〔(Chess History, #3569 )〕 and he spent most of his life there and in New Jersey. He was an active figure in Greenwich Village and frequented the Liberal Club.〔Stansell, ''op. cit.'' page 83.〕
He was the first literary figure to be included in Alfred Stieglitz's 291 circle,〔Eisler, ''op. cit.'' page 104.〕 and was briefly associated with the Ferrer Center where Man Ray was studying under Robert Henri. From 1913 to 1914, Kreymborg and Man Ray worked together to bring out ten issues〔Churchill, ''op. cit.'', page 53, note 26.〕 of the first of Kreymborg's prominent modernist magazines: ''The Glebe''. Ezra Pound — who had heard about ''The Glebe'' from Kreymborg's friend John Cournos〔Bochner, ''op. cit.'', page 137.〕 — sent Kreymborg the manuscript of ''Des Imagistes'' in the summer of 1913〔Kenner, ''op. cit.'' page 158〕 and this famous first anthology of Imagism was published as the fifth issue of ''The Glebe''〔Churchill, ''op. cit.'' page 52.〕
In 1913 Man Ray and Samuel Halpert, another of Henri's students, started an artist's colony in Ridgefield, New Jersey.〔Churchill, ''op. cit.'' page 51〕 This colony was often also referred to as 'Grantwood' and comprised a number of clapboard shacks on a bluff〔Brandon, ''op. cit.'' page 82〕 on the Hudson Palisades opposite Grants Tomb, across the Hudson River in Manhattan. Kreymborg moved to Ridgefield and launched ''Others: A Magazine of the New Verse'' with Skipwith Cannell, Wallace Stevens, and William Carlos Williams in 1915. Pound had, along with the ''Des Imagistes'' poems, written to Kreymborg suggesting that he contact 'old Bull' Williams,〔Churchill, ''op. cit.'' page 52, note 20.〕 that is William Carlos Williams. Williams did not live far from Ridgefield, and he became involved in the magazine. Soon there was a group of artists associated with the magazine. Marianne Moore came to Ridgefield for picnics, and in 1915 Marcel Duchamp moved in.〔Stansell ''op. cit.'' pages 99–100,〕 Regarding Marianne Moore, she was asked in an interview whether Alfred Kreymborg was her American discoverer, to which she replied, "It could be said, perhaps; he did all he could to promote me. Miss Monroe and the Aldingtons had asked me simultaneously to contribute to ''Poetry'' and ''The Egoist'' in 1915. Alfred Kreymborg was not inhibited. I was a little different from the others. He thought that I might pass as a novelty, I guess."〔(The Art of Poetry: Marianne Moore )〕
1915 also saw the publication of a story in part based on a personal experience. The story was titled 'Edna' and published as ''Edna: The Girl of the Street;'' by the Greenwich Village entrepreneur Guido Bruno; the subtitle was Bruno's idea, added without the consent of the author.〔Kreymborg, ''Troubador'', Chapter 12, page 79.〕 John S. Sumner of the New York Society for the Suppression of Vice raised a stir; there was a court case which led to the Bruno's imprisonment. The attendant morals row drew in George Bernard Shaw and Frank Harris: Harris made an impassioned statement in court defending the publisher.〔
Kreymborg was lifelong friends with Carl Sandburg, each independently choosing to write in free verse. Kreymborg's tone-poems, or 'mushrooms', had seldom made it into print, but in 1916, soon after his move to Ridgefield they were brought out in book form by John Marshall as 'Mushrooms: A Book of Free Forms' and Williams praised them as a "triumph for America".〔according to Symons, ''op. cit.'' pages 122 and 127, the 'Mushrooms' had been "unpublishable", although this does not seem quite fair as the acknowledgements page thanks the editors of The New Republic, The Poetry Journal, Poetry: A Magazine of Verse; Others: A Magazine of the New Verse; The Egoist, Catholic Anthology, Bruno Chap Books, Greenwich Village and Rogue.〕
Kreymborg spent a year touring the United States, mostly visiting universities, reading his poetry while accompanying himself on a mandolute.

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